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While making the two-season-old a youth-market hit for the Fox network, Lawrence has managed to meet two contradictory needs — reaching for mainstream success while remaining true to his edgier comic soul.So far, Lawrence has managed to straddle the fence between the bland and the blue.She has been approached by American networks about returning to the States but has turned them down because she loves her job.
Lawrence is already a case study in the dilemmas of network-sitcom success ( among young viewers, if not in overall ratings, with an audience of 8.6 million people a week), and he is chafing under the inherent restraints. In America you can make as much money as you want as long as you work to get it.
It's not a dirty habit."What is happening in America proves the power of entertainment when you get it right.
The three biggest shows in the United States in the last three years, she says, have been Who Wants to be a Millionaire? Millionaire transformed the fortunes of the ABC network and Idol has just done likewise for Fox, the network she worked with for several years.
She launched Popstars: The Rivals, a series she has every reason to believe will follow Popstars and Pop Idol into the nation's affections. And, in perhaps the biggest triumph of all, nearly 23 million Americans tuned in to the final of the US version of Pop Idol on Wednesday, a further vindication of Rosencrantz's ability to spot a potential hit.
Yet 43-year-old Rosencrantz is herself resolutely low-profile.